Glasswaterscope Success!

I had much success in the assembly and running of my VLK (Very Large Kaleidoscope) for the Edwardian World’s Faire and Ball last weekend.

I knew weekend before last that the major components would work fine, i.e., the moving parts moved and the reflecty parts reflected. When I went to do the aesthetics the night before the event (!), I found that it was very visually — unstunning. In fact, it didn’t really do much of anything. My lovely partner pointed out to me that what I needed was large objects rotating in and out of the line of sight. It seemed that the lovely fused glass disc I had made might do nothing but obscure the effect I wanted. But alas! We found a way to make it work, and it was lovely.

Pix to come.

A thing I hate.

Glass that bubbles. I mean, grrrr. I didn’t have my flame that high, really, and there goes a big ol’ bloopy spot.

You never can fill them in. Usually just gotta throw the bead into the drink. And it was a nice one, too.

Success!

The new cabochons are fabulous. Looks like I got the right size clear overlay piece, and very little bubbling action. Not that I mind bubbles. The backs are much cleaner using kiln paper as opposed to setting the pieces onto the kiln-washed holder, but I like having the texture on the back from the wash. For now, paper is good since I need to “cold fuse” pin backs to the pieces.

I’m particularly pleased that for this application, the fusing program in the Jen-Ken users manual works quite well.

The result of David’s experiment with a metal washer filled with frit was…encouraging. The metal did not take to the high heat too well, but the glass didn’t break apart from the metal upon cooling, which was what we expected to happen. This could be a very interesting direction, if we can find affordable metal of high enough quality to withstand the heat.

My yaller beads look pretty nice. More tonight.

When I started this blog, I resolved to do at least one bead per day when I’m home, no matter how busy/crazy. Last night was a challenge, as I was cold and tired. But once the torch went “whoosh” I got a lot warmer!

Living in a Glass House

Really, all I want to do is make glass art. The more I see the more I want to just melt melt melt lots of glass into tiny things and larger things and abstract things and realistic things and and and.

The good news is my studio space is coming together. Until I have a dedicated studio outdoors or in the garage, this is a very good situation.

glass_glass_glass
The credenza thingy on the left wall will hold sheet glass in vertical slot files.
The shelves on the back wall hold heavy-duty cardboard tubes with glass rods, plus misc. supplies.
The desk in front of the window is my lampwork setup. All cleaned up, new tank of gas, wheeeeoooo! I set it all up with Yellows last night.
yellow

glasscutting_kiln
The desk in front of the window (and next to my lampwork station) is my NEW glass-cutting surface. Next to that is the kiln.

I've got pretty good light in the daytime for cutting glass. I need a good full-spectrum work lamp for night work.
Best is lots of room to store stuff, as the actual work space is not that big. Oh, and a good, safe tile surface for my kiln — priceless.

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Studly Studio

Spent a very satisfying and productive Saturday at our friends’ house in Berkeley (Hothouse), and returned early this AM with a mostly built and tested kaleidoscope — prettifying will happen this week, but the device works, and that was my goal for the weekend.

After getting home, we decided that cleaning the “lab” might be the best use of our time. The lab is a project room that tends to become a junk magnet. We need space to work on the kaleidoscope and other things, so *zing* into cleaning mode. Incidentally, my glass studio has been set up in one corner of one end of the (very large) room since I started lampworking.

During the course of the cleaning, we completely re-vamped my studio! I am so pleased to have my glass-cutting surface freed from the kiln, which is now on an appropriate surface (a tile-covered table). I have a second credenza-type cabinet for storing sheet glass when I finally get my Bullseye assortment, er, assorted.

glass_glass_glass

glasscutting_kiln

This is my lampwork station. Cleaner than usual.

yellow

Bizzy Buzz Bizz

Edwardian Weekend is coming up FAST. So much to do.

World's Faire: I am making a giant kaleidoscope, about 3 feet tall. It works in my mind. Tomorrow I see if it works in fact. What to wear? Lab coat, long black skirt with bustle, black boots.

Ball: Got most of my outfit figured out, but still need to make a headdress. But I don't know how to ballroom dance. Guess I'll just be strolling about drinking cocktails!

Sunday: If we go, I'm constructing a riding costume. Re-use bustle, long jacket, large feathery hat or bowler, riding boots (which I still have to get). Oh, and a riding crop….also not in my possession yet.

On top of this, I have volunteered to do fused glass cabochons for about 10 people. And I have exactly — 1 — made that I really like, maybe 6 that will pass muster in a pinch.

The next 7 days will be really busy! David and I are taking off next Friday to help set up.

Projekts = Stressful but fun! Someday I will just go to an event rather than participate in the creation….then again… NAH!!

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What’s up?

A new cylinder of gas. A discussion with Jackie at KMG about oxy-propane, and the possibility of switching when a new studio is in the picture. A discussion about boro glass, and how Moretti and Vetrifond and others are offering a similar color palette. An attempt to re-create the wedding cake bead that didn’t work and became a rectangle instead (and not a very good one, either). The need to clean and prepare my used mandrels for the next round of 40 beads. (I made a whole lot of beads this past 2-3 weeks! Hooray. Making up for lost time August – December 2007.)

For Edwardian weekend, I have loads of fused glass to design/assemble/fire (6 cabochons [designed, at least, and 3 assembled] and GoreyScope2 disc [not yet designed, even]). PLUS building Goreyscope2 and making costumery. Good thing I work well under deadline.

Discipline

I got three of the six cabochons assembled last night, and really need to do the other three this evening so I can fire up the kiln tomorrow at 4 PM.

I am a little beat from work-outs today, and would love to just veg tonight. We are organizing an informal photo shoot for a party invite tonight, so I should try to do glass before.
Addendum: Oh well, guess I’ll do it tomorrow night 😉

I got my glass-cutting work surface, which consists of a large plastic grid to catch all of the stray shards and slivers. I really like it; it also is good for cutting a straight line. I am feeling ever more confident with the glass cutter and with handling the materials. With respect, or course! Cuz glass cuts flesh like butter.

Made a couple of fun beads too (still on the blue kick).
way_to_blue

One I call a wedding cake. I’m going to try to duplicate it, as it was an accident that turned out nicely.
wedding_cake

The other is a totally stolen idea (thanks, venbead). But I will only use it for gifts and such.
key_bead

big glass day!

So many glass acts yesterday.

I am making a 3-ft high kaleidoscope, with a fused glass disc as the design element. My friend and c0-worker Dave Hilyard (large optics specialist) cut the mirror for me into 8″ x 28″ lengths and smoothed the edges; he also gave me some adhesive strip to secure them together. Next I need to make the disk, and set up the motorized rotator. I will post pix and maybe a video when this is completed, IF it works or IF it doesn’t!

In the evening, my friend Rachel came over. We ate, sipped wine, and talked beads. She is a fabulous artist, and I wanted to pick her brains about possible settings for my beads. She had some insights, and she will do a wire class for me and a couple of friends in early February.

Then I made a couple of beads. Got a little ambitious with one of them and it broke, but in workable place. Pix to come later.

Glass act of the day

Made a half-dozen cabochons yesterday, and all are basically acceptable. One is exceptional, and raised my personal bar so that I must make another half-dozen utilizing the elements of design I employed. I spent an hour or so sitting at a caffeine depot, nursing a chai, and drawing some designs. I’ll post pix of my goreyglass after the Edwardian Ball weekend.

I need to design, not just assemble. This is true in my beadmaking as well. I tend to be pretty free-form, which is fine. But having good design sense and technique handy as tools makes free-form beading and fusing more fun. I’ve got a ways to go, though.

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